Landscape Painting: Mt. Fuji at the Dawn / Kōno Shūson - Fugaku Reimei-zu

Product ID
0239
Name
Kōno Shūson
Profile

 

Kōno Shūson (河野秋邨, 1890-1987) was a Japanese-style painter of the Shōwa era. Nanga painter. Born in Ehime pref. Studied painting techniques under Tajika Chikuson. Founded the Nihon Nangain along with Komuro Suiun, Yamada Kaidō, etc. Awarded at the Bunten and the Teiten exhibitions. Chairman and chief director of the Nihon Nanga-in. Received the Kyoto Prefecture Culture Prize and Distinguished Services Prize.

Size
720mm x 1410mm
Roller End Material
Bone
Material of the Work
Silk
Price
JPY 120,000
Stock Condition
In stock
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Description

Kōno Shūson (1890-1987) was one of those who devoted themselves to the promotion of Nanga (a school of Japanese painting inspired by Chinese painting that flourished after the mid-Edo period) after leaving for Kyōto at the age of 18 to thoroughly study Nanga. At the beginning of his studies of Nanga, he could only study it in Japan with copies. He, however, had absorbed the techniques of expression, in addition to many other subjects such as landscapes, kachō (flower and bird), and human figures, which were reflected in his works since he visited China for the first time in 1923, followed by many additional trips. He also served as the president of the Japan Nanga Institute, where he taught the next generation of artists.

This work is a drawing of Mt. Fuji at the dawn painted by Kōno Shūson. He was selected for the 11th Bunten exhibition in 1917 for the first time. As he made his debut as a painter of large-scale paintings, this work also shows a bold depiction of the iconic Japanese mountain, Mt. Fuji, with strong brushwork. The skillful use of sumi ink and white pigment to depict the mountain surface is a quite masterpiece. This work, as if condensing the dignity of Mt. Fuji, can be said to show Shūson’s true talent.

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 The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
peculiar culture which is not seen in other countries blossomed and many aspects of the modern Japanese
culture come from it. Parts of Japanese culture has been introduced to people in other countries recently,
so the number of people from other countries who are interested in Japanese culture has been increasing.
However, the Japanese aesthetic senses, which are the bases of Japanese culture, have been nurtured
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understandably is a “kakejiku.”
 The kakejiku (a hanging scroll; a work of calligraphy or a painting which is mounted and hung in an
alcove or on a wall) is a traditional Japanese art. It's no exaggeration to say that paintings are what
express aesthetic senses at all times and places. The kakejiku is an art which expresses the Japanese
aesthetic senses. The kakejiku has long been used in traditional Japanese events, daily life and so on since
ancient times. As a result, there are various customs of kakejiku in Japan; kakejiku and the life of the
Japanese are closely related. We can see Japanese values through kakejiku.
 The kakejiku is a cultural tradition which the Japanese people should be proud of. However, many people
in other countries don't know much about it because it hasn't been showcased as much. This is why I
decided to try to introduce it. The kakejiku world is very interesting and beautiful. We want not only the
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 Art Nomura is an art dealer which produces kakejiku (hanging scrolls). We mount many paintings and calligraphic works in kakejiku in my factory. Kakejiku are our main product. We also remount and repair old or damaged kakejiku. We share the traditional Japanese art of kakejiku with people all over the world.



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 The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
peculiar culture which is not seen in other countries blossomed and many aspects of the modern Japanese
culture come from it. Parts of Japanese culture has been introduced to people in other countries recently,
so the number of people from other countries who are interested in Japanese culture has been increasing.
However, the Japanese aesthetic senses, which are the bases of Japanese culture, have been nurtured
through a long history, intertwining various elements intricately, such as climate, geographical features,
religion, customs and so on. Therefore, they are very difficult to understand not only for people from other
countries, but even for the Japanese people. I think the best tool which conveys these difficult senses
understandably is a “kakejiku.”
 The kakejiku (a hanging scroll; a work of calligraphy or a painting which is mounted and hung in an
alcove or on a wall) is a traditional Japanese art. It's no exaggeration to say that paintings are what
express aesthetic senses at all times and places. The kakejiku is an art which expresses the Japanese
aesthetic senses. The kakejiku has long been used in traditional Japanese events, daily life and so on since
ancient times. As a result, there are various customs of kakejiku in Japan; kakejiku and the life of the
Japanese are closely related. We can see Japanese values through kakejiku.
 The kakejiku is a cultural tradition which the Japanese people should be proud of. However, many people
in other countries don't know much about it because it hasn't been showcased as much. This is why I
decided to try to introduce it. The kakejiku world is very interesting and beautiful. We want not only the
Japanese, but also many people from other countries to know and enjoy it. I hope that many people will
love kakejiku someday.

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