Ōhashi Suiseki’s Summary | The Best of Tiger Painters （3/3）

Suma Period in Kōbe

1912: Move to Suma, Kōbe

Ōhashi Suiseki had gained a solid reputation by winning a series of prizes at exhibitions around the world, but he suffered from tuberculosis and moved to Suma, Kōbe in 1912, which was then an area of advanced tuberculosis treatment.

When Ōhashi Suiseki moved to the city, prominent figures from the Osaka-Kōbe political and business world formed a supporters’ association and welcomed him with open arms.

It was even said that ‘it is a shame for a wealthy person in the Osaka-Kōbe area not to have a Suiseki piece’.

From this period onwards, Ōhashi Suiseki’s tiger paintings began to change and evolve further, perfecting his own style, the Suma Style, characterised by dense background expression.

Around 1930 (Early Shōwa Period): Ranks Alongside the Two Great Masters of the East and West

Ōhashi Suiseki’s popularity is said to have been so high at the time that the price of his works soared alongside those of Yokoyama Taikan and Takeuchi Seihō, the two great masters of the East and West. The prices of popular artists such as Kawai Gyokudō, Uemura Shōen, Kaburaki Kiyokata and Murakami Kagaku were of course high, but the prices of these three artists were in a different class of high.

Despite this popularity, he had no interest in the central art world, such as the Bunten, Teiten and Inten exhibitions, and did not exhibit at all, which may be why he is known today as the ‘Solitary Painter’.

Last Years

1945

Evacuated to his home town of Ogaki after the air raid on Kōbe in 1945; after the war ended in August, he moved to his daughter’s home in Aichi Prefecture, but died of old age on 31 August; died aged 81.

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     The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
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     The kakejiku is a cultural tradition which the Japanese people should be proud of. However, many people
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     The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
    peculiar culture which is not seen in other countries blossomed and many aspects of the modern Japanese
    culture come from it. Parts of Japanese culture has been introduced to people in other countries recently,
    so the number of people from other countries who are interested in Japanese culture has been increasing.
    However, the Japanese aesthetic senses, which are the bases of Japanese culture, have been nurtured
    through a long history, intertwining various elements intricately, such as climate, geographical features,
    religion, customs and so on. Therefore, they are very difficult to understand not only for people from other
    countries, but even for the Japanese people. I think the best tool which conveys these difficult senses
    understandably is a “kakejiku.”
     The kakejiku (a hanging scroll; a work of calligraphy or a painting which is mounted and hung in an
    alcove or on a wall) is a traditional Japanese art. It's no exaggeration to say that paintings are what
    express aesthetic senses at all times and places. The kakejiku is an art which expresses the Japanese
    aesthetic senses. The kakejiku has long been used in traditional Japanese events, daily life and so on since
    ancient times. As a result, there are various customs of kakejiku in Japan; kakejiku and the life of the
    Japanese are closely related. We can see Japanese values through kakejiku.
     The kakejiku is a cultural tradition which the Japanese people should be proud of. However, many people
    in other countries don't know much about it because it hasn't been showcased as much. This is why I
    decided to try to introduce it. The kakejiku world is very interesting and beautiful. We want not only the
    Japanese, but also many people from other countries to know and enjoy it. I hope that many people will
    love kakejiku someday.

    (or press ESC or click the overlay)