Takamori Saigan: Nanga Painter Who Was Active in the Meiji to Taishō Eras and Called “Nobleman on Street”

Ospreys

Ospreys by Takamori Saigan

Takamori Saigan was born in Chiba Prefecture in 1847. He had been fond of painting since he was an infant and he started to study Nanga paintings under Yamamoto Kinkoku who was a disciple of Watanabe Kazan when Saigan was around 17 years old. Although Saigan studied Nanga under Kinkoku, he also did famous works in history and masterpieces of painting in China on his own. Furthermore, he devoted himself to Yosa Buson and developed his own world. He drew all of landscapes, people, and flower-and-bird. Especially, he was good at landscape painting and left so many unique works. Although he founded the Tokyo Nanga Association together with Kawamura Ukoku, Masuzu Shunnan, Watanabe Kaseki, and others in 1895, he did not seem to like activities in the artists’ society so much. Takamori Saigan was called “Nobleman on street” while Kodama Katei was described as “Man of noble character in a mountain”. He passed away in 1917 at the age of 71.

This picture was drawn with a close-up view depiction that Takamori Saigan rarely used in his works, which may remind us of something like Western-style paintings in the Edo period. The composition is completely diagonal, and the rock, flowers, and ospreys are expressed clearly, which looks a typical manner of the modern man. The charming brushstroke to depict the sandbar in the distant view brings about some allowances and depths in the screen so that they can be harmonized with the clear depiction of the near view. Saigan, as mentioned above, while depicting the richly unique world of landscape, left some fine works in these flower-and-bird paintings.

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     The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
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     The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
    peculiar culture which is not seen in other countries blossomed and many aspects of the modern Japanese
    culture come from it. Parts of Japanese culture has been introduced to people in other countries recently,
    so the number of people from other countries who are interested in Japanese culture has been increasing.
    However, the Japanese aesthetic senses, which are the bases of Japanese culture, have been nurtured
    through a long history, intertwining various elements intricately, such as climate, geographical features,
    religion, customs and so on. Therefore, they are very difficult to understand not only for people from other
    countries, but even for the Japanese people. I think the best tool which conveys these difficult senses
    understandably is a “kakejiku.”
     The kakejiku (a hanging scroll; a work of calligraphy or a painting which is mounted and hung in an
    alcove or on a wall) is a traditional Japanese art. It's no exaggeration to say that paintings are what
    express aesthetic senses at all times and places. The kakejiku is an art which expresses the Japanese
    aesthetic senses. The kakejiku has long been used in traditional Japanese events, daily life and so on since
    ancient times. As a result, there are various customs of kakejiku in Japan; kakejiku and the life of the
    Japanese are closely related. We can see Japanese values through kakejiku.
     The kakejiku is a cultural tradition which the Japanese people should be proud of. However, many people
    in other countries don't know much about it because it hasn't been showcased as much. This is why I
    decided to try to introduce it. The kakejiku world is very interesting and beautiful. We want not only the
    Japanese, but also many people from other countries to know and enjoy it. I hope that many people will
    love kakejiku someday.

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