Ishii Rinkyō: A Japanese-Style Painter Who Was Born in Chiba Prefecture and Manly Active at Exhibitions Sponsored by the Government

Midday Figure

Midday Figure by Ishii Rinkyō

Ishii Rinkyō was born in Chiba prefecture in 1884. He studied under Hashimoto Gahō and worked hard as a professional painter while exhibiting at the Futabakai Exhibition and the Bijutsu Kenseikai Exhibition. Since he was accepted for the 1st Bunten Exhibition in 1907, he kept on exhibiting at the exhibitions so that he exerted his outstanding talent, which was paid attention in the world. In 1919, the Bunten Exhibition was reorganized and the Exhibition of the Imperial Fine Arts Academy launched. However, he objected to its strict selectivity and management way and formed the Josuikai (an art circle) together with Noda Kyūho, Shimada Bokusen, Ikeda Terukata. Although they held the 1st Josuikai Exhibition, it was dissolved in the next year already. After that, he came back to the Exhibition of the Imperial Fine Arts Academy and he was awarded the special selection at the 4th exhibition in 1922. Also, he was chosen as a judge of the exhibition in 1924. Although he was being a leading figure in the center of the painting world gradually, he passed away suddenly at the age of only 47 in 1930.

This piece of work might have been produced around when Ishii Rinkyō was strongly influenced by the Rinpa school before 1919. The depiction to use Tarashikomi technique of opium poppy leaves looks completely inspired by the Rinpa school. It looks interesting to use patina color and gold paint for the black leaves of the opium poppy and not to paint on paper but to do gradation on a silk canvas. The silhouette of a white cat casually drawn on the center also adds an accent to the screen. The thin caulome of the opium poppy and the flowers which look heavy, and the slightly squishy leaned neck of the cat are well-balanced, which may form some interesting harmony.

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     The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
    peculiar culture which is not seen in other countries blossomed and many aspects of the modern Japanese
    culture come from it. Parts of Japanese culture has been introduced to people in other countries recently,
    so the number of people from other countries who are interested in Japanese culture has been increasing.
    However, the Japanese aesthetic senses, which are the bases of Japanese culture, have been nurtured
    through a long history, intertwining various elements intricately, such as climate, geographical features,
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    countries, but even for the Japanese people. I think the best tool which conveys these difficult senses
    understandably is a “kakejiku.”
     The kakejiku (a hanging scroll; a work of calligraphy or a painting which is mounted and hung in an
    alcove or on a wall) is a traditional Japanese art. It's no exaggeration to say that paintings are what
    express aesthetic senses at all times and places. The kakejiku is an art which expresses the Japanese
    aesthetic senses. The kakejiku has long been used in traditional Japanese events, daily life and so on since
    ancient times. As a result, there are various customs of kakejiku in Japan; kakejiku and the life of the
    Japanese are closely related. We can see Japanese values through kakejiku.
     The kakejiku is a cultural tradition which the Japanese people should be proud of. However, many people
    in other countries don't know much about it because it hasn't been showcased as much. This is why I
    decided to try to introduce it. The kakejiku world is very interesting and beautiful. We want not only the
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     Art Nomura is an art dealer which produces kakejiku (hanging scrolls). We mount many paintings and calligraphic works in kakejiku in my factory. Kakejiku are our main product. We also remount and repair old or damaged kakejiku. We share the traditional Japanese art of kakejiku with people all over the world.


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     The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the
    peculiar culture which is not seen in other countries blossomed and many aspects of the modern Japanese
    culture come from it. Parts of Japanese culture has been introduced to people in other countries recently,
    so the number of people from other countries who are interested in Japanese culture has been increasing.
    However, the Japanese aesthetic senses, which are the bases of Japanese culture, have been nurtured
    through a long history, intertwining various elements intricately, such as climate, geographical features,
    religion, customs and so on. Therefore, they are very difficult to understand not only for people from other
    countries, but even for the Japanese people. I think the best tool which conveys these difficult senses
    understandably is a “kakejiku.”
     The kakejiku (a hanging scroll; a work of calligraphy or a painting which is mounted and hung in an
    alcove or on a wall) is a traditional Japanese art. It's no exaggeration to say that paintings are what
    express aesthetic senses at all times and places. The kakejiku is an art which expresses the Japanese
    aesthetic senses. The kakejiku has long been used in traditional Japanese events, daily life and so on since
    ancient times. As a result, there are various customs of kakejiku in Japan; kakejiku and the life of the
    Japanese are closely related. We can see Japanese values through kakejiku.
     The kakejiku is a cultural tradition which the Japanese people should be proud of. However, many people
    in other countries don't know much about it because it hasn't been showcased as much. This is why I
    decided to try to introduce it. The kakejiku world is very interesting and beautiful. We want not only the
    Japanese, but also many people from other countries to know and enjoy it. I hope that many people will
    love kakejiku someday.

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