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Tokonoma Album 006: Kansetsu Hashimoto, Musha, Rooster, etc
Tokonoma & Kakejiku Scroll: Kansetsu Hashimoto
From the end of the Edo Period (1603-1867), Japanese art began to shift its fundamental cultural orientation from China to Europe. Kansetsu Hashimoto, however, (1883-1945) initially abjured, and this had much to do with his upbringing Born in Kobe, Hyogo Prefecture, his father was an eminent Confucian scholar whose own painting exploits are nowadays largely ignored.
Tokonoma & Kakejiku Scroll: Musha Japanese Armoured Warrior
The Japanese have a custom of holding a variety of events praying for the healthy growth of boys, on the day of Tango-no-sekku, and May 5 is a national holiday, called “Children’s Day.” In a few regions, it is celebrated on June 5th, following the old lunar calendar.
In Japan, there was a ritual called “Satsuki-imi” (literally, accursed May), where all the men went out of the house, and only women stayed inside to wash the impurities away, and purify themselves before rice planting. This custom was connected to “tango,” which came from China. In the Imperial Palace, people wearing a Japanese iris in their hair got together at the “Butokuden” (a palace building) and were granted a “Kusudama” (literally, a ball of medicine made of herbs with a decoration added) by the emperor. A record from the Nara period described these events in the imperial court.
The word for the Japanese iris was pronounced the same as the word for martial spirit (both were pronounced “shoubu”), and the shape of the leaves of the Japanese iris reminds people of swords. Therefore, tango was determined as the “sekku” for boys and people prayed for the healthy growth of boys during the Kamakura period.
The typical way to celebrate tango-no-sekku is to display armor, a helmet, a sword, a doll warrior, or “gogatsu-ningyou” doll (literally, doll of May) modeled after Kintarou (a famous brave boy in a nursery tale) on a tiered stand in a room, and to fly “Koi-nobori” (carp streamers) on a pole in the front yard. Displaying armor symbolizes protecting the boys. The custom of displaying koi-nobori originates in the Chinese tradition, and it is meant to pray for the success in a boy’s life.
The kakejiku which is displayed in this event can be describeds as follows:
The kakejiku of an iris painting.
The kakejiku of a “musha” (an armoured warrior) painting.
Tokonoma & Kakejiku Scroll: Rooster
2017 was the year of the Bird in Chinese astrology. In Japan, we use 12 animal signs of Chinese astrology on a daily basis. e.g. I was born in the year of the Bird.
Tokonoma & Kakejiku Scroll: Namu-Shakamunibutsu and Saigoku Pilgrimage
“Namu-Shakamunibutsu” is a 7 kanji phrase, meaning “I believe in Shakamuni Buddha.” The kakejiku with the script of Namu-Shakamunibutsu is used in the Buddhist memorial services of “Soutou-shuu,” “Rinzai-shuu,” and “Oubaku-shuu” sects (Zen Buddhism).
“Saigoku-Sanjuusan-kasho” is a pilgrimage of thirty-three Buddhist temples throughout the Kansai region of Japan. The pilgrimage route of the Saigoku Sanjusankasho includes, as additional holy places, three more temples associated with the founder of the pilgrimage, Saint Tokudou, and the Cloistered Emperor Kazan who revitalized it. The principal image in each temple is Kannon-Bosatsu; however, there is some variation among the images and the powers they possess.
Pilgrims record their progress with a prayer book called “Noukyou-chou,” which the staff of each temple marks with red stamps and Japanese calligraphy, indicating the temple number, the temple name and the specific name of the Kannon image. Some pilgrims receive the stamps and calligraphy on plain silk, which will be mounted on a kakejiku (hanging scroll) by a kakejiku craftsman “hyougushi” like us. The kakejiku, which is called “saigoku-sanjuusan-kasho-shuuinjiku,” is very popular in Japan. It is sometimes used in Buddhist memorial services.
The above kakejiku was mounted with Shin Buddhist style.
Tokonoma & Kakejiku Scroll: Shikibana and Amaterasu Oomikami
“Shikibana” means four flowers, each representing one of the four seasons. Shikibana is one of the subjects of the usual kakejiku. Although there is no special rule, a peony, which is considered the king of flowers in China, is usually positioned in the middle of the screen, with the other flowers encircling it.
The sun has, since ancient times, been worshipped around the world and many religions have developed out of sun worshipping traditions. For example, “Amaterasu Oomikami,” the top god in Japanese mythology, is the sun god.
A “kakejiku” (hanging scroll), on which “Tenshoukoutaijin”(Amaterasu Oomikami) is written, is often displayed in “tokonoma” (alcove) for the safety of the family, a state of perfect health, a good harvest, and so on.